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War and Remembrance is an American miniseries based on the novel of the same name written by Herman Wouk. It is the sequel to the miniseries The Winds of War , which was also based on one of Wouk's novels. The television mini-series continues the story of the extended Henry family and the Jastrow family starting on December 15, and ending on August 7, War and Remembrance had a multi-year production timeline. It was, at the time, the most expensive single project in the history of filmed entertainment [1] and the most expensive single-story undertaking in United States television history. Shortly afterwards, cable television began the fragmentation of the United States broadcasting audience in earnest, leaving War and Remembrance the last of the giant miniseries.
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Get Carter - Wikipedia

The charges allege that Epstein sexually abused young girls by enticing them to engage in sex acts for money. The underage girls were initially recruited to provide Epstein with massages — and often did so nude or partially nude. These massages became increasingly sexual in nature and would typically include one or more sex acts as specified in the indictment. As alleged, Epstein also paid certain victims to recruit additional girls to be similarly abused.
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Based on Ted Lewis ' novel Jack's Return Home , the film follows the eponymous Jack Carter Caine , a London gangster who returns to his home town in north-east England to discover more about his brother Frank's supposedly accidental death. Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city and its hardened-criminal element. Producer Michael Klinger optioned the novel and made a deal with the ailing Metro-Goldwyn-Mayer MGM to finance and release the film, making it the last project to be approved by the studio's Borehamwood division before its closure. Get Carter marked the film debut for both Hodges and supporting actor Alun Armstrong. Hodges and Caine, the latter of whom served as a co-producer, had ambitions to produce a more gritty and realistic portrayal of violence and criminal behaviour than had previously been seen in British films, with Caine incorporating his knowledge of real criminal acquaintances into his characterisation of Carter.
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